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OperaMadness
Приєднався 4 сер 2009
Alla Ossipova: Ulrica, Verdi "Un Ballo in Maschera"
Alla Ossipova (Telegina) was born in the Arctic, in Norilsk, but spent most of her life in Moscow. Starting from childhood Alla was different -- she was dreaming about becoming an autopsist and hated school for trying to make her conform to some standards.
Alla graduated from Moscow State University as a journalist, but didn't work as such. At the University she started singing, first as a soprano, then she went to study with Natalia Pinevich who discovered her true voice -- dramatic mezzo.
Alla graduated from Moscow University of Arts and then immigrated to Canada together with her husband. Her talent continued to grow with the help of vocal teacher Inna Golsband and Alla started singing on Toronto opera stages -- first at Summer Opera Lyric Theatre, then Opera by Request and Toronto Operetta Theatre.
The combination of big, heavy, dark dramatic contralto with the range of 3 octaves and her fiery temperament was the base on which the talent of Alla Ossipova blossomed. Her last role was Fricka in Die Walküre (Wagner).
Alla's life tragically came to an end on December 25th, 2012 when she just turned 38. Alla couldn't make all her dreams come true, but she will always stay in our hearts.
Studio recording, August 22, 2011
Алла Осипова (Телегина) родилась за полярным кругом, в Норильске, но большую часть своей жизни прожила в Москве. Её удивительный независимый характер начал проявляться уже в детстве, когда она мечтала стать патологоанатомом и ненавидела школу за царившую там обязаловку.
Алла закончила факультет журналистики МГУ, но по первой специальности не работала. Зато в МГУ она начала петь как сопрано, затем перешла к педагогу Наталии Пиневич, которая нашла её настоящий голос, драматическое меццо-сопрано.
Алла закончила Московский Университет Культуры и Искусств в 2005 году, после чего вместе с мужем перебралась в Канаду. Её музыкальный талант продолжал развиваться под руководством Инны Голсбанд и Алла начала петь на оперных сценах Торонто - вначале в Summer Opera Lyric Theatre, затем в Opera by Request и Toronto Operetta Theatre.
Сочетание крупного, тяжёлого, тёмного, драматического контральто с диапазоном в 3 октавы и огненного характера стали залогом её творческого роста. Последней её ролью стала Фрика из Валькирии Вагнера.
Жизнь Аллы Осиповой трагически оборвалась 25 декабря 2012 года, когда ей только исполнилось 38 лет. Алла так и не успела исполнить всё задуманное, но она навсегда останется в наших сердцах.
Запись сделана в студии, 22 августа 2011 года
Alla graduated from Moscow State University as a journalist, but didn't work as such. At the University she started singing, first as a soprano, then she went to study with Natalia Pinevich who discovered her true voice -- dramatic mezzo.
Alla graduated from Moscow University of Arts and then immigrated to Canada together with her husband. Her talent continued to grow with the help of vocal teacher Inna Golsband and Alla started singing on Toronto opera stages -- first at Summer Opera Lyric Theatre, then Opera by Request and Toronto Operetta Theatre.
The combination of big, heavy, dark dramatic contralto with the range of 3 octaves and her fiery temperament was the base on which the talent of Alla Ossipova blossomed. Her last role was Fricka in Die Walküre (Wagner).
Alla's life tragically came to an end on December 25th, 2012 when she just turned 38. Alla couldn't make all her dreams come true, but she will always stay in our hearts.
Studio recording, August 22, 2011
Алла Осипова (Телегина) родилась за полярным кругом, в Норильске, но большую часть своей жизни прожила в Москве. Её удивительный независимый характер начал проявляться уже в детстве, когда она мечтала стать патологоанатомом и ненавидела школу за царившую там обязаловку.
Алла закончила факультет журналистики МГУ, но по первой специальности не работала. Зато в МГУ она начала петь как сопрано, затем перешла к педагогу Наталии Пиневич, которая нашла её настоящий голос, драматическое меццо-сопрано.
Алла закончила Московский Университет Культуры и Искусств в 2005 году, после чего вместе с мужем перебралась в Канаду. Её музыкальный талант продолжал развиваться под руководством Инны Голсбанд и Алла начала петь на оперных сценах Торонто - вначале в Summer Opera Lyric Theatre, затем в Opera by Request и Toronto Operetta Theatre.
Сочетание крупного, тяжёлого, тёмного, драматического контральто с диапазоном в 3 октавы и огненного характера стали залогом её творческого роста. Последней её ролью стала Фрика из Валькирии Вагнера.
Жизнь Аллы Осиповой трагически оборвалась 25 декабря 2012 года, когда ей только исполнилось 38 лет. Алла так и не успела исполнить всё задуманное, но она навсегда останется в наших сердцах.
Запись сделана в студии, 22 августа 2011 года
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Відео
Alla Ossipova: Erda's "Weiche, Wotan! Weiche!", Richard Wagner "Das Rheingold"
Переглядів 1,7 тис.11 років тому
Alla Ossipova (Telegina) was born in the Arctic, in Norilsk, but spent most of her life in Moscow. Starting from childhood Alla was different she was dreaming about becoming an autopsist and hated school for trying to make her conform to some standards. Alla graduated from Moscow State University as a journalist, but didn't work as such. At the University she started singing, first as a soprano...
Alla Ossipova: Marfa's divination, Mussorgsky "Khovanschina"
Переглядів 56711 років тому
Alla Ossipova (Telegina) was born in the Arctic, in Norilsk, but spent most of her life in Moscow. Starting from childhood Alla was different she was dreaming about becoming an autopsist and hated school for trying to make her conform to some standards. Alla graduated from Moscow State University as a journalist, but didn't work as such. At the University she started singing, first as a soprano...
Samuel Ramey - The trumpet shall sound / Messiah - Handel
Переглядів 67 тис.14 років тому
1986 Please, no copyright infringement intended! He is brilliant! More photos of Samuel Ramey at www.instantencore.com/contributor/contributor.aspx?CId=5066492
Samuel Ramey - Why do the nations / Messiah - Handel
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1986 Please, no copyright infringement intended! He is brilliant!
Samuel Ramey - Ode "To Joy"- Beethoven
Переглядів 59 тис.14 років тому
Karita Mattila - sopran Anne Sofie von Otter - contralto Francisco Araiza - tenor Samuel Ramey - bass London, 1989 Final chorus Ludwig van Beethvoven: O friends, not these sounds! Rather let us sing something more pleasant and more joyful! Friedrich von Schiller: Joy, thou spark from flame immortal Daughter of Elysium! Drunk with fire, O Heavn-born goddess, We invade thy halidom! Let thy magic ...
Samuel Ramey as Don Basilio. Comical scene from Act II from Rossini's "Il Barbiere di Siviglia"
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Comical scene from Act II from Rossini's "Il Barbiere di Siviglia". New York 1976 Beverly Sills, Titus, H. Price, Ramey, Gramm; S. Caldwell Please, no copyright infringement intended! He is brilliant!
Samuel Ramey - Vieni: la mia vendetta - "Lucrezia Borgia"
Переглядів 54 тис.14 років тому
Aria of Don Alfonso from Donizetti's "Lucrezia Borgia", 1988 with Henrich Weber Please, no copyright infringement intended! He is brilliant!
Samuel Ramey - Couplets du Tambour-Major - "Le Caid", Ambroise Thomas
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Couplets du Tambour-Major from "Le Caid" 1989 Please, no copyright infringement intended! He is brilliant!
Samuel Ramey - La Calunnia - "Il Barbiere di Siviglia"
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Aria of Don Basilio from Rossini's Il Barbiere di Siviglia. New York 1976 Titus, H. Price, Samuel Ramey, Gramm; S. Caldwell Please, no copyright infringement intended! He is brilliant!
Amazing voice, remarkable performance! I have never heard this aria performed in such a mesmerizing way. Thank you so much for sharing this, my new favorite. Samuel Ramey is such a talent!
Samuel Ramey is 8 of Clubs ♣♣♣♣♣♣♣♣Happy Birthday to Samuel Ramey REST IN POWER Blessings and HUGS 👑💜
Maravillosa interpretación!!!!
The greatest singer gives us the greatest Beethoven in history. This is like a support of the LORD.
I had the opportunity to see and hear Samuel in person when he gave a recital benefiting the opera company in my city. A tremendous once in a life time opportunity to be certain 👍🙂
Qui Ramey aveva 34 anni se non sbaglio ( ho visto tutta l'opera su UA-cam). Non era un basso buffo e più avanti ha scelto un repertorio serio per il quale si sentiva più portato(Mefistofele, Maometto, ecc). Peccato però perché era secondo me divertente nel ruolo comico. 😂
Excellent diction!! Beautiful rendition and voice!!
Samuel Ramey is a bass! He does an exceptionally and excellent job!! His breath control is superb, diction flawless and intonation breathtaking!!
He's indeed a great bass.
Handel is eternally inspiring, mocked and a leader of God's word through music. Amen
There's a reason why just a few can actually sing this piece. Admirable!!
Extraordinario ¡¡!!! que stacatos.
Bravissimo (e noiosissimo).
veramente noioso!!!!
Mah!!!
Thanks so much for posting this! The audience, sounds like every one of them, knew they had just experienced something very special and important in the world of opera singers. Of course we all know the kind of career Ramey would rightfully enjoy, but to hear an aria known as playful turned into a masterpiece…This was, is, a moment still resonating decades later.
I know someone who heard Ramey in this role in Los Angeles back at the very beginning of Ramey's career. My acquaintance said that this tall, skinny guy walked out on stage and started singing, and everyone just sat there with their mouths open, absolutely stunned by the extraordinary and beautiful voice that they were hearing.
🌿💐🌸💞🇻🇦✝️🇲🇬💞🌸💐🌿⛑🇻🇦🐻🇲🇬⛑🌸🦊🌸💐🦁💐💞🇻🇦🌿💒🌿🇻🇦💞🇻🇦🥰🇲🇬💐💒💐🇲🇬🫂🇲🇬💞🌸🦁💐🌸🌿⛑💞💐🌸🌿🐻🌿🙋♂️
A Voice ...THE VOICE
👋👋👋👋👋👋👋
ECCO CHE COSA SIGNIFICA ENTRARE NELLO SPIRITO DELL'OPERA !
che cosa significa?
FANTASTISCH
Ramey stupendo
Best rendition I have ever heard.
While, yes, Ramey is magnificent, you never heard Siepi. Why choose? I saw them both live many times in this role, yet never compared them, but reveled in their uniqueness.
@@snoopenny how did their voices sound in the hall?
significa che hai sentito pochi cantare pochissimi bassi
Furlanetto from 1989
Magnificent! Ramey the greatest!
Belle voix, intelligible et bien placée, mais qu’est-ce que c’est cet accoutrement, don Basilio?
Forse Samuel Ramey il miglior interprete
2:15 Andy Kaufman's ghost lol
Hermosa voz e interpretación de Samuel Ramey.
UNA VOZ ÚNICA, MAGNIFICA
SANGUE, SUOR E LÁGRIMAS. PERFEITA INTERPRETAÇÃO. NÃO CANÇO DE VER.
What a nice aria,....and also,how truthful !
Italo Tajo was much better in this aria
Giaiotti Nesterenko Ghiaurov Pinza Neroni Neri Siepi Tozzi Hines Reizen..
@@e.g.8454 But I like Ramey very much
Hotter and Siepi are probably,best in my view
A realy great singer.
Grazie mille!
SAW SAMUEL RAMEY MANY TIMES IN THE CITY,LOVE HIS VOICE..SAW HIM IN THIS OPERA WHAT A VOICE...THANKS AND A GREAT ACTOR.........
What's Samuel Ramey doing these days? I think he's still performing somewhere or other.
According to this news, he moved to Kansas where he's coaching singers: www.kansas.com/entertainment/arts-culture/article251575143.html
English translation Calumny is a little breeze, a gentle zephyr, which insensibly, subtly, lightly and sweetly, commences to whisper. Softly softly, here and there, sottovoce, sibilant, it goes gliding, it goes rambling. Into the ears of the people, it penetrates slyly and the head and the brains it stuns and it swells. From the mouth re-emerging the noise grows crescendo, gathers force little by little, runs its course from place to place, seems the thunder of the tempest which from the depths of the forest comes whistling, muttering, freezing everyone in horror. Finally with crack and crash, it spreads afield, its force redoubled, and produces an explosion like the outburst of a cannon, an earthquake, a whirlwind, a general uproar, which makes the air resound. And the poor slandered wretch, vilified, trampled down, sunk beneath the public lash, by good fortune, falls to death.
I love this entire version of Il barbiere di Siviglia; especially this aria, with Samuel Ramey as Don Basilio ❤️
Fantástico!
Wow! 👏
O Freunde, nicht diese Töne! Sondern laßt uns angenehmere anstimmen, Und freudenvollere. Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum! Deine Zauber binden wieder, Was die Mode streng geteilt; Alle Menschen werden Brüder, Wo dein sanfter Flügel weilt. Wem der große Wurf gelungen, Eines Freundes Freund zu sein, Mische seinen Jubel ein! Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! Und wer's nie gekonnt, der stehle Weinend sich aus diesem Bund. Folgen ihrer Rosenspur. Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben, Und der Cherub steht vor Gott! Froh, wie seine Sonnen fliegen Durch des Himmels prächt'gen Plan, Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen. Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum! Deine Zauber binden wieder, Was die Mode streng geteilt; Alle Menschen werden Brüder, Wo dein sanfter Flügel weilt. Seid umschlungen Millionen. Diesen Kuß der ganzen Welt! Brüder! über'm Sternenzelt Muß ein lieber Vater wohnen Ihr stürzt nieder Millionen? Ahnest du den Schöpfer, Welt? Such' ihn über'm Sternenzelt! Über Sternen muß er wohnen. Freude schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken Himmlische, dein Heiligtum! Seid umschlungen Millionen! Diesen Kuß der ganzen Welt! Freude, Tochter aus Elysium! Deine Zauber binden wieder, Was die Mode streng geteilt. Alle Menschen werden Brüder, Wo dein sanfter Flügel weilt. Seid umschlungen, Millionen! Diesen Kuß der ganzen Welt! Brüder! über'm Sternenzelt Muß ein lieber Vater wohnen. Seid umschlungen! Diesen Kuss der ganzen Welt! Freude schöner Götterfunken! Tochter aus Elysium! Freude, schöner Götterfunken! Götterfunken!
Bravo bravo bravo brilliance fantastic grandiose vocal super
Superba!
Grazie mille!
Stimmlich einfach phänomenal !!! Interpretatorisch klingt leider nicht nach Freude
Das liegt an Beethoven, oder?
I think the aria suits a bass rather than a baritone. Splendid as Mr R is in this bruvura aria his timbre seems a tad too light to convey the 'bite' the piece requires...
Ramey is a bass.....
@@charlesm.5476 THAT'S a much more civilised response. Thank you. My mistake. (In the official blurb about him , strictly speaking he's a bass-baritone.)
@@DavidHughes-op6zl Strictly speaking he is a basso cantante. Whatever Wikipedia says, Ramey himself has always referred to himself as a bass, as did his management. The ability to do bass baritone roles simply speaks to his versatility. The only bass-baritone I know of to sing King Philip in Don Carlos was Jose Van Dam, and it was admittedly too low for him.
Oh my goodness, the flack I've variously attracted for making a simple mistake about Ranmey's voice range. Astounding. I must surely stand trial in the highest court of Snootydom.
Mi fanno ridere quelli che dicono che quest'aria è da basso - basso o da basso profondo. Si vede che non sanno cosa sia cantarla. Chi ci ha provato (con pessimi risultati, come chi commenta...) può garantire che un conto è l'aria da basso verdiana, un conto è quella belcantista, come quella donizettiana. Quest'aria necessità di un'agilità che difficilmente un basso puro (sempre che ne esistano...forse i russi) riesce a garantire. La cabaletta, in particolare, è sfiancante e con tessitura "alta" che un Ramey - capace di note profonde come di acuti strepitosi - affronta al meglio. Il resto sono chiacchiere da presunti melomani e leoni da tastiera
I think a lot of the problem rises from the fact that so many people think all basses are of the profundi variety and have never heard of and have certainly never actually heard a basso cantante like Ramey.
@@aneamarlivana172 right!! 👏👏👏
Perfect at 99% With the high Ab sang by Ezio Flagello and it would be 100% 😜
This is so wonderful. His voice is so rich & filled with color@
Grande Ramey!
Much better than the overrated Wixell.
Wixell has also seemed to me an odd choice for this role. Aside from the studio recording, I don't think he ever sang this role on stage ANYWHERE.